Though similar in nature and in function, the veranda’s persona is much more romantic than that of its cousin, the porch. But why? For starters, a true veranda is cooler by design (literally): A defining characteristic of a veranda is that is open on three sides to allow for maximum circulation. To chart the course of the veranda, we consulted with architect Teofilo Victoria of de La Guardia Victoria Architects and Urbanists Inc. (and a VERANDA May-June 2010 cover model!) who helped highlight the twists and turns of the intriguing outdoor space.

The etymology of the word fascinates and mirrors the trade winds that shaped the veranda’s nature. To paraphrase the Merriam-Webster definition: The word itself comes from the Indo-Portugese word “varanda” likely borrowed from the Hindi and Urdu word “baranda” meaning “roofed gallery.” This connection between the Portuguese shipping routes and Southern India certainly helped familiarize Europeans with how to live well in hot and humid climates, but the veranda’s surge in popularity in the Western world squarely traces back to one enterprising British architect working in the late 16th and early 17th century: Inigo Jones (any and all classic designphiles should have his work bookmarked by now).

The British architect toured Italy and fell for the highly symmetrical, welcoming villas by Andrea Palladio and brought those influences to his latest project Covent Garden via the piazza and arcade behind which he tucked some of London’s poshest homes. The undulating rhythm of the columns and the openness of the architecture skyrocketed to popularity in England, paving the way for Edwardian and Georgian eras of classic architecture. During this same period, the Spanish and English discovered the sugar and coffee riches of the Caribbean islands. Both countries went on building sprees to stake their claims in these tropical destinations. For protection against invading pirates, Hispanic cities like San Juan, Puerto Rico and Cartagena, Colombia relied on their old-world methods designing buildings inward where life revolved around courtyards and verandas as a private retreat. Thus, a veranda hidden away from site evokes more mystery than a more publicly accessible porch.

Slightly north of the Caribbean, the fledgling-turned-mighty 13 colonies were beginning to take hold and another building boom far from Europe took off. Architects, an ocean away, sent pattern books rife with Covent Garden references to the colonies, forming the classical vocabulary of American architecture. Porches, piazzas, galleys, and verandas played a particularly strong role in the original architecture of Charleston, South Carolina—a highly influential city with deep British roots that went on to impact much of the Southeastern United States. A lifestyle evolved around the veranda. How could it not? Verandas became synonymous with warm weather, a place to take refuge under great architecture flecked with the influences of Italy, India, Portugal, Spain, England, the Caribbean, the melting pot of the United States—and, eventually, a leading design publication.

Here, a look at some of our favorite verandas from around the world.

The Villa di Maser was built in 1560 by the hero of Classicist architecture Andrea Palladio as a country house outside of Venice. It features porticos with arcades on either side of the front façade that continue to inspire verandas 500 years later.

The courtyard of the Basilica of Bom Jesus in Goa, India built by the Portuguese in 1596 and an early example of Portuguese Colonial architecture. The Portuguese word “varanda” likely evolved during this period from the Hindi & Urdu baraṇḍā meaning “roofed gallery.”

The extraordinary British architect, Ingio Jones, pulled inspiration from Spanish and Italian architecture in London’s Covent Garden. He introduced the romance of arcades and piazzas to a whole new constituency in 1630.

Castillo San Felipe del Morro, known simply as el Morro, the fort of old San Juan Puerto Rico built in 1539, features an arcade with gentle arches encircling a courtyard. This exemplifies the inward facing Spanish Colonial style that kept defense from pirates top of mind.

Further South in the Caribbean, the old walled city of Cartagena, Colombia shows homes with second-story balconies rather than front porches – another effort to protect against pirates and the heat.

Wrapped with porches, a great portico, and a second story gallery, the Government House in the Bahamas built around 1801, showcases the mix of English and American architecture mixing with Caribbean vernaculars.

In Ceara Donnelly’s historic single-style house Charleston, South Carolina, her piazzas peer into private courtyard garden.

Architects Teofilo Victoria and his wife Maria de la Guardia collaborated with designer Amanda Lindroth on her home in the Bahamas. This beautiful project—including the open, airy Bahamian veranda pictured here—was on the cover of the May-June 2010 issue of VERANDA.

If you're wondering about the difference between a veranda and a porch, look no further. Plus, here are some of our favorite verandas from around the world.

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